Camerabag cinema workflow3/16/2023 “There are 600 to 700 VFX shots, and HD is a perfect fit for VFX shows and a limited budget,” Collea explains. The Gene Generation was shot with Sony’s HDW-F900 CineAlta HD camera by DP Tony Nako. “There are usually no post workflow experts on set during filming,” he says, “and there are times when an unnecessary on-set procedure can become costly because someone in post sent a memo that’s been misunderstood and results in costly delays that could have been avoided if there was one person who knew the entire workflow and could have cut through misunderstandings saving time, energy and money.” With the lines now blurred between production and post production, it’s expertise like Collea’s that can maximize every dollar in the budget. “Today’s technology helps low-budget filmmakers make features that rival major productions,” declares co-writer/producer Keith Collea (A veteran of many effects-intensive films, including Alien: Resurrection, Independence Day and Pearl Harbor, Collea also served as the new movie’s 2nd unit director, visual effects supervisor and post production supervisor. It stars Ling Bai and Perry Shen, with Faye Dunaway in a supporting role, and opens this month with limited theatrical release and a national DVD release. ![]() ![]() ![]() The array of HD - and beyond - formats available today permit independent filmmakers to realize their visions as they pick and choose among myriad acquisition and post production options and deliver high-quality products to screens big and small.Ī sci-fi independent feature, The Gene Generation (presents a futuristic world populated with deadly DNA hackers and the assassins who hunt them.
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